Exhibition preview “Vitaliano VI. The Invention of Isola Bella”: a look at the third section

Palazzo Borromeo: the Baroque taste of the interiors in the exhibition devoted to Vitaliano VI

We continue to reveal a selection of details of the exhibition “Vitaliano VI. The Invention of Isola Bella”, reaching the third section of the exhibition itinerary. Here we discover all the beauty and magnificence of the interiors of Palazzo Borromeo.

The Baroque layout design that was so desired by Count Vitaliano VI Borromeo is original and unique, with its furnishings, sculptures, paintings, stuccos, coloured and gilded wooden carvings and cabinetmaking. The project was curated by architects Andrea Biffi and Filippo Cagnola, the stylistic continuity between whom is evident, as we can deduced from the designs on display. The rooms are embellished by hundreds of works with gold- and turquoise-painted frames, marble busts and alabaster vases, marked by the presence of imitation ebony painted wooden cabinets, enriched with flower-decorated slates, which are also dotted around the walls.

Vitaliano VI and his designers played continually with the contrast and the similarity between the interior of the building and the exterior of the terraced gardens and views across the lake: natural and artificial wonders were constantly placed in contrast with each other.

In the project for the Palazzo, the Count had envisaged a central gallery (to house paintings that were particularly dear to him) with an annexed alcove, a solution that was not unusual for a building in the Baroque age. This is evidenced with drawings, perspective views, worksite records and photographs with hypotheses of construction and decorative solutions.

It is interesting to make a comparison with the current layout of the building, which enables us to observe how some of the rooms (the Medal Room, the Throne Room and the Room of the Two Alcoves) still retain their original appearance today.

Among the artworks on display, the works by specialists in the new painting genres stand out: still lifes of flowers, landscapes and architectural perspectives. Among all these, it is worth dwelling in front of the self-portrait by painter Pieter Mulier (1637-1701), nicknamed Il Cavalier Tempesta, and his wife Anna Eleonora Beltrami. It embodies a very special story of patronage, in which Mulier was welcomed by Vitaliano after long years of imprisonment in Genoa, enjoying his protection. To express his gratitude, Tempesta donated a conspicuous number of works with variations of his different specialities in the field of landscape and the harbour in stormy weather (hence his nickname: Tempesta), making him the most important landscapist to be documented on the island since the years of Vitaliano VI.

Main sponsor Aon

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